Daijiworld Media Network - Mumbai
Mumbai, Mar 19: Actor-dancer Nora Fatehi has responded to the controversy surrounding the song Sarke Chunar Teri Sarke from the Kannada film KD – The Devil, stating that she was unaware of the allegedly objectionable lyrics while shooting.
The song, featuring Sanjay Dutt and Nora, drew sharp criticism for its suggestive choreography and explicit lyrics. Following public backlash and complaints, the video was taken down by authorities. The matter also reached the Lok Sabha, where Information and Broadcasting Minister Ashwini Vaishnaw confirmed that action had been taken, noting that freedom of expression is not absolute. Earlier, the National Human Rights Commission had also issued a notice to the makers.
In a video message, Nora said she agreed to the project nearly three years ago, primarily due to the opportunity to work with Sanjay Dutt. She explained that the song was originally shot in Kannada and she depended on the filmmakers for translation.
“I shot this song in Kannada and relied on what was translated to me. Nothing seemed inappropriate at that time,” she said, adding that she does not understand the language.
She claimed that she only realised the nature of the lyrics during the launch event when the Hindi version was played. “When I heard the Hindi lyrics, I knew it would create problems. I immediately told the director that this is not okay and would attract backlash,” she said.
Nora further alleged that the makers used unapproved and “unflattering” images, including AI-generated visuals featuring her and Sanjay Dutt, without her consent.
“They did not take any approvals from me. I have always maintained control over my image, and this was done without permission,” she said, expressing discomfort over the use of artificial intelligence in the visuals.
She added that although she was uncomfortable during the launch event, she maintained composure out of professional courtesy. Internally, however, she said she was “conflicted” about the developments.
The actor clarified that she chose to distance herself from the project and refrained from promoting the song on social media. “My image and reputation are important. I flagged my concerns and disassociated myself,” she stated.
The controversy continues to spark debate over content standards, consent, and accountability in film promotions, particularly with the growing use of AI-generated material.